A view from the monster desk

Tentacle Monster Working

So Fair Escape is dying to know what it was like staffing “monster desk” for Cottington Woods. She wants to know:

What were the biggest challenges, the busiest moments, the last minute fixes? Methods used to keep track of stuff?… Did most stuff run much longer than expected? Most interesting modules to prep? Unexpected setbacks?

First, a definition: “monster desk” is what some larps call the person(s) responsible for keeping monster camp (i.e. the staff/cast headquarters) running. What exactly this involves varies from game to game, but I think it’s legit to say it involves tactical response to needs that arise in the game. They aren’t writing plot, and for the most part, they aren’t going on mods, but they are doing a lot of behind-the-scenes work to make sure the game keeps running — preferably on time.

Basically, it’s logistics.

In Cottington those urgent needs are often like “I need stats for a giant plant,” “can you print these tags?” or “can I look at the writeup for this mod?” In other games, monster desk might handle costuming, makeup, or NPC food.

I’ve also been in games that didn’t have monster desks — arguably it’s a role you don’t need someone to do permanently if the individual staff can do these things on a self-service basis. Shadows of Amun, for example, doesn’t have a monster desk, but there’s a printer if, say, you’ve realized you forgot to print something you need; and there’s usually at least one staff member in monster camp at all times.

But anyway. My first big responsibility for monster desk was something I took on myself. Cottington almost never has writeups (or tags, or stat cards) for mods printed out beforehand, which can cause significant delays when it comes time to run those mods. On hearing I was slotted to work the desk, I decided to at least handle the printing for Friday’s mods.

In particular, I wanted to get a headstart on the printing needs for the mod called “Alice Rescues the Cat,” which was a giant, all-town mod which would take up the entire early evening. Among the moving parts were pages of letters which the NPCs were going to give out as loot, seventeen trivia questions with a complex “lift a flap to reveal a letter” mechanic, tags for each of eight vision circles, tags for a few different gates, and tags for another seventeen or eighteen nodes of insight.

Printing this was a massive undertaking, and I’m SO GLAD I decided to do it beforehand — I can’t imagine printing all those tags at game. Assembling the tags then took even more work. I ended up arriving on site at around 6:30pm — late for me — and spending until 9pm assembling everything — cutting out the hundreds of letters, filing the mod writeups I’d printed out, and putting together the question tags. (Thanks to Gaylord and new larper Kristina, who helped with these). The truck with all the Monster Camp gear (including printers, scissors, tape, etc) arrived on the early side, which was helpful, as I desperately needed tape for assembling the question tags.

By the time I was done assembling, it was time to set up — well past it, in fact. It’s all kind of a blur in here, but basically my work at this junction involved getting the NPCs stats (a printing need I had neglected, requiring the printer to get set up before I could do anything), making sure all the equipment we needed went up to the mod space at the hangar (nightmare costumes, fairy costumes, rope lights, fog machine, speakers and iPods, etc), getting myself into costume (because I had not one, but two roles to play in this mod!), running up to the hangar (already late), and trying to follow Michelle (the plot writer’s) instructions to set the mod up.

Setup for this mod was the worst part of the evening. I was dehydrated, being eaten alive by mosquitos, and trying to figure out obscure instructions by flashlight.

A word on obscure instructions: When I had printed the tags, I remember having a moment of “oh, I have no idea how these are supposed to work… oh well, Michelle can tell me that.” In fact Michelle could not tell me, as she was busy playing her NPC Gwyndalyne and entertaining the PCs until we could get this mod rolling. This is often the case at this game — Michelle cannot bi-locate, and as the game owner often needs to be sixteen different places at once — and so I don’t know why I had the illusion that she would be there for setup. But that was the expectation I had, and nothing seems to trouble me more than rumpled expectations.

Did I mention it was raining? And that half of the battery-powered rope lights were not working? And that while I had a few able assistants (Alex P, Scott M, and Gaylord deserve massive kudos for the work they did), the majority of the NPCs were standing around in the hangar shooting the breeze? (To be fair, it’s what I’d be doing if I weren’t given a job, too. And I was far too busy to give more than a couple people jobs).

And the clock was ticking. We were already… an hour late? I was overwhelmed with a sense of “everything is going wrong and it’s all my fault.” In the past I’ve gotten through stressful times at Cottington by telling myself “not my circus, not my monkeys” — but now it was my circus*, and the monkeys weren’t dancing in time.

* It may not in fact have been my circus, but it felt like it more than it ever had.

As a result, I ended up acting embarrassingly childish. I threw the battery lights. I reamed out John (Michelle’s husband, plot writer, and game co-owner) when he came up to brief the NPCs. Scott later described me as “flipping tables”. During my lapse in sanity, however, Alex and the other helpful NPCs acted like adults and made the judgement calls I seemed mentally incapable of making.

Anyway, the mod finally got started, I have no idea how late. The PCs progressed through it veeeeery slooooowly. At one point the PCs were stymied because they needed a letter T for one of the question tags, and none of the NPCs had any to give as loot. We ended up turning an I into a T with a pen. (Problem solving!)

So that was most of my Friday night. It answers “biggest challenge,” “busiest moments,” and “last minute fixes” questions in one fell swoop!

It got better from there. To be fair, I don’t think I would have been doing so much setup if it weren’t for the fact that I was in the mod. Plus, the rest of the weekend I had the ever-competent Holly, fellow logistics person, to hold my hand and assure me that the monkeys were, in fact, going to be all right.

As a result, the prep for the back-to-back Invasive Fight/Mothlands mods on Saturday night went much more smoothly. There, my part involved:

  • Making sure there were stats for the Invasive Animals attacking in the first mod
  • Making sure there were stats for the Aranea, the giant invasive-eating moths in the second mod. (Here I employed my time-tested strategy of “make somebody do it who knows Accelerant better than I do.”)
  • Making sure there were printouts for the “hive mother” Aranea who were going to be doing a series of terrible calls to the invasive-infected PCs.
  • Giving instructions to the half of the NPCs who weren’t going to be in the first mod to set up Alumni Field. This may have led to two NPCs holding up glow-in-the-dark spider webs to the light in Monster Camp for a half hour. (Their idea, not mine. I’m not a cruel taskmistress).
  • Made sure all the Aranea costumes got carted up to Alumni Field along with the spider webbing.

Notice how none of this involves setting up glow-in-the-dark spiderwebs in the dark myself? That’s how it’s supposed to work. It does, sadly, mean I never got to see how it looked, but I’ll live with that.

Other questions…

Methods used to keep track of stuff?

Like most games I’ve NPCed, Cottington has a color-coded schedule on the wall that lists mod names, NPCs, and mod spaces. We typically schedule in 1.5 hour blocks (an improvement from the one-hour blocks we had when I started NPCing); the Friday night mod was scheduled for 3 hours, and it still ran over.

On top of that, we have a Google Drive folder with all the writeups (such as they are — some are more sketchy than others), and the staff site, which has a “Book of Beasts” that lists stats for common monsters. (Pro-tip: not nearly as much is in the Book of Beasts as you would hope).

The usual workflow of an NPC is read the schedule –> read the writeup (if it’s printed; otherwise get a logistics person to print it out first) –> grab a costume (with help from our talented costume/makeup maven, Sarah N, if needed) –> grab stats –> go help with setup. Stats may just be rambled at you (“you have 8 Vitality, take a Maim or an Agony every other life,” etc) or you may get a slip of paper with stats. I tried to make sure there were stat printouts for the bigger combat mods ahead of time, but I didn’t always succeed.

I also tried to keep a donations sheet (which we never seem to do, and I worry that PCs don’t get their donation CP) and an NPC sign-in sheet.

Did most stuff run much longer than expected?

Hmm… we’re always off-schedule, but I’m not sure it’s that stuff runs long so much as there’s slippage due to various factors.

Factor number one is not giving ourselves enough time for prep — the Friday night Alice mod, for example, probably should have had an hour of prep written into it, in addition to the three-hour run time.

Factor number two is, I think, an issue of NPC empowerment. It’s not always clear who the mod runner is — who’s responsible for pulling the NPCs together, gathering props, setting up the space, and hooking the mod. Sometimes it’s the author, but 80% of the mods are written by Michelle, and she generally isn’t available to do this stuff. And when it’s something anyone can do, no one does it.

In general if I’m written up to be the hook, I consider myself to be the mod runner. If someone tells me I’m the mod runner, I’m the mod runner. When in doubt, I read the writeup, put on a costume, and look helpful. Unfortunately, not everyone does the same thing.

Sunday was arguably our most on-track day, and I think it’s because at the beginning of the day I said, “Okay, NPCs, check the schedule and see what mod you’re in at 10am. Consider yourself empowered to run it, if necessary.” Stuff still went askew (a lot of stuff had to get canceled because the prerequisite mod from Friday or Saturday hadn’t run) but a greater percentage of mods ran than on any other day.

Factor number three in time slippage is definitely just the sheer number of mods that are supposed to run at any given time. It varies between five and ten mods in any given spot! I think part of this is an artifact of the campaign ending soon — we only have three more games to fit everything in.

We typically deal with slippage with a Saturday night huddle — this game was no different. Here, we (meaning Holly and myself) sat down with Michelle and John and prioritized what mods must run and what can be deferred until tomorrow or until next game. Sometimes it’s three mods that must run before dinner, and we have no idea how we’ll get through that, but we somehow manage. If you saw Robin and his letter from Silk, that was a mod that had to happen which we pulled off against all odds.

Most interesting modules to prep?

I think prepping the back-to-back Invasive Fight/Mothlands mod was the most interesting — it also went arguably the smoothest. There was interesting costuming, interesting mechanics, and interesting set dressing to arrange. And, for the most part, we pulled it off!

Unexpected setbacks?

I didn’t expect us to be operating with one printer that would only print in color. If you saw any tags printed in dark blue instead of black, that was why…

I also didn’t expect that so much stuff would be in Word files that Jay (the usual monster desk person) saved to John’s computer… once I realized that, it made finding things a lot easier…

I guess that’s all I have to say about working monster desk. It is hard work, but it is tremendously rewarding when a mod goes off on time and the PCs enjoy it.

Obligatory disclaimer: Nothing I write here should be construed as the official word of Cottington Woods. I’m not even a staffer — I’m just someone who didn’t step back fast enough when they were looking for logistics people 😉

I’m alive; Dickens isn’t

R.W. Buss' unfinished watercolor, "Dickens's Dream."

R.W. Buss’ unfinished watercolor, “Dickens’s Dream.”

Have not been posting because I’ve been run ragged. I’ve finally got a moment to catch my breath, so here, enjoy a summary post.


The spring of living most larpily is almost over. Cottington Woods was last weekend, and I worked logistics/monster desk, and it was stressful, but I learned a lot, and would do it again.

(One day someone will ask me to staff a campaign larp, and Matt won’t give me a meaningful stare quickly enough).

This upcoming weekend I may go out to Witchwood for a few hours on Saturday — or not, depending on if someone can be found for a certain role. Then on Sunday the Eyrie, my 5G group, is crashing the high tea at Camelot Co-Housing and having an RP day.


I am almost over my nasty cold that has lingered far longer than expected. I thought I was better going into this weekend, actually, but then it was 4am in the woods on Saturday and I couldn’t stop coughing long enough to fall asleep.


I’ve been reading a lot.

Still in the middle of Dickens’ Our Mutual Friend. (How appropriate to mention — today is the anniversary of his death). It’s still delightful. I am developing a deep love of Dickens’ character studies. My reading is enhanced by the Our Mutual Friend Reading Project, and the related Our Mutual Friend Tweets. Of course I love the Eugene Wrayburn tweets the best:

Thanks to the exquisite Maggie D. for pointing me towards this wonder.

While I couldn’t sleep in the woods, I started reading Mistress of Fortune by Holly West. I’d picked up the epub over a year ago now, when I saw a promotional post West had written for it on Chuck Wendig’s blog. It sounded interesting — a mistress of Charles II secretly works as a fortune teller and investigates murders and tries to keep the king from being assassinated. And it is interesting, but I have hesitations.

West knows her history, I’ll give her that, and she paints a vivid picture of the time period. My issues aren’t with any of that.

The prose is workman-like, nothing to write home about, except for a few weird non-sequiturs which I feel should have been caught in editing. (This is small press? Or self-pub? I’m not sure which, but definitely not Big 3).

The plot is strange, and yet strangely compelling. The main character, Isabel, has all this busy backstory that informs her character, but it often times feels dropped on the reader. Isabel also starts the novel estranged from the king — whose assassination she is trying to prevent — and it takes a third of the book for us to even meet the character of Charles. It feels a bit like West is veering violently away from any interesting conflict. At one point Isabel goes to meet Lord Danby, and Charles starts walking towards them… and then literally turns around and walks away. It feels like the plot walking out the door.

Of course, that’s only an illusion, because stuff is happening. We’re just not sure of the significance of it yet.

Found it interesting that Sam, Isabel’s… bodyguard(?), is just casually gay, too.

Weird how Isabel reacts to Charles’ other mistresses. I mean, historically, he had tons, and I often wonder how they felt about each other. Isabel has this oddly acute jealousy; the book is full of moments where one historical mistress or another is name dropped (Lady Castlemaine, Nell Gwyn, etc) and Isabel is all, “ugh, I don’t like her.” I mean, I understand jockeying for position among the various lovers, but I guess I don’t understand this feeling Isabel has of wanting to be the only one in the king’s heart. It seems a completely unreasonable expectation for that situation.

We’ll see where it goes from here. So far it’s keeping me engaged.

Finally, I’ve also been reading Barbara Oakley’s A Mind for Numbers, and working through the related Coursera course, Learning How to Learn.


I made progress on Lioness in May, though not the 10k words I had hoped for. (It was more like 3k). I also edited my two Weekend Warrior flash pieces and sent them out to betas. Got some useful feedback which I am still digesting, but I probably won’t send it to anyone else, as I’ve already got more to think about than I know how to resolve. Thank you to everyone who offered, though.


I will be at Readercon. I’m skipping the Cottington summer one-day to attend.

I have a one-week staycation coming up in July. My current plan is to devote it entirely to writing and cleaning.

Our second mortgage will be paid off this month — woohoo! On a related note, I need to buy airfare for Consequences. Matt and I are thinking of stopping over in Dublin for a couple of days on the way there.

In which I remind myself why I do this crazy thing (larping)

I have not been posting much lately! It’s not that stuff hasn’t been going on; it’s more that I’ve lacked the capacity to write about it.

I feel very much like I want to curl up and go to sleep for a thousand years. It’s not that I’m physically tired, so much as I look at the stuff I have to get done in the next couple of months and it feels exhausting. I let myself believe that this means I can’t have any fun, even though I am doing all of this for the sake of fun, i.e., my hobbies.

Why so much to do? Well, the first thing to understand is that here in the Frozen Wasteland of New England, if you want to play boffer (live-combat) larps, you really only have a small window in which to do it. Two, actually — one in the spring, and one in the fall. The spring window is April-May (with occasional forays into late March or early June), and the second is September-October (with forays into late August/early November). The reason for this is primarily weather-related, but it is also a consequent of the fact that most campaign live-combat games take place at children’s summer camps, which are unsurprisingly in use during the summer months.

This spring, I am going to be PCing My Vewwy First Boffer LARP, Fifth Gate (Silverfire). The first game is the weekend of May 15th May 1st. I am also going to continue to NPC Shadows of Amun and Cottington Woods, both of which have two spring events. Finally, I’ve signed up to NPC on the Wrathborn side of things for Fifth Gate, which gives me one more event.

These are all weekend-long events, going from Friday night to late Sunday afternoon. They can also be very physically demanding — a lot of running around the woods hitting people (or being hit by people) with foam swords. They’re demanding in other ways, too. Boffer larp in this region is big on immersion, and playing a character 24/7 can be tiring. Even as an NPC, you need to more or less always “on.” There’s a sign by the door in Shadows NPC base camp which reads “Beyond this point you are always in character.” It’s not literally true — how many times have I stood on the porch and bullshitted with my fellow mooks! — but it is pretty close to it.

Also, one of the Shadows events is the weekend of the Festival of the LARPs, and I am going to be spending one Saturday driving back and forth between Westford and Waltham, MA, as I head out to play Phoebe’s new larp Woodplum House, a silly Wodehousian parody game. This is especially fun for Shadows, where leaving the site involves, no lie, a one mile walk out to your car (or from your car back to the campsite). Because immersion means no cars on site, logically enough.

If you guessed this means I have almost no free weekends in April and May, you’d be right! What free weekends I have will be full of prep for future games.

Speaking of prep… that can be tiring and stressful, too, especially for PCing games. The organization or disorganization of the game in question can make it more or less stressful for me as an NPC, too. But let’s focus on the PC side of things, here — I have a LOT of costuming I am trying to get done before May 15th May 1st. Probably more than I realistically have time to finish — I’m not sure yet.

So… larp is clearly my most exhausting hobby. I’m pretty sure I’ve stood at this point before and made the decision to throw in the towel. Hell, it was probably about this time in 2013 that I decided not to play Cottington Woods, after writing a character history, plotting with a team, having a boffer weapon made, and ordering a realistic plush chicken. (Checking — yup, that’s about right).

I’m not going to wimp out this time. The difference between two years ago is multifold. One, I’m a lot more familiar with the Accelerant system, and that helps to allay my fear of the unknown. Two… it’s easy to forget off-season, but some of my peak moments have come from these sorts of games.

I remember crying from the intense emotions my (throwaway, one-shot!) NPC was experiencing in my very first Shadows game.

I have fond memories of emotional conversations in the rain, sheltered under a dripping eave; of jasmine tea in a leaking tent.

I remember the sheer fun of covering myself in fake blood and lying in wait for the PCs. Or the same thing, minus the fake blood but plus a mirror mask.

I recall the excitement of landing an exceptionally well-timed attack.

I remember standing in a field, covered in LED wires, shouting out calls at the top of my lungs to keep my teammates up.

And all of this is just NPCing. How much better can it be, I wonder, when I get to play the same character, game after game, for a few years, when staff is writing plot just for me?

This is why I do this — and remembering that helps get through the work.

Since a post isn’t complete without a to-do list around here, here’s what I’m trying to get done before Fifth Gate starts, for my character, Ianthe Florizel. (Unless otherwise noted, due date is game start on May 15th May 1st).

  • Finish writing character history (due date: April 2nd)
  • Add character events to warband timeline (also April 2nd)
  • Finalize character build (due date unknown; builds aren’t being accepted yet, and I don’t know my CP total)
  • Finish the epic amount of applique and hand-sewing for my invocation circle — at least enough so that it’s recognizably an invocation circle!
  • Finish the mockup of the underdress of my outfit (due date: Real Soon Now, so that I can make the real thing)
  • Complete the mockup of the overdress (due date: Slightly Less Soon Now)
  • Make the real underdress(es)
  • Make the real overdress
  • Check with Plot to make sure my Orb of Battle won’t be too big (pictured in the cover photo, above)
  • If acceptably-sized, decorate my Orb of Battle with runes
  • Make (or otherwise procure) something to carry my Orb of Battle (chain, mesh bag, handle, dunno)
  • Do a more extensive try-on/break-in of my new boots, and decide if I’m happy with the sizing
  • Lock-tite the buttons on my new boots, if so

I’ll see you in June? I just hope my writing doesn’t take a permanent sabbatical…

Guess which genius thought the first event was May 15th up until yesterday? Yeah, this girl. (Y)(Y).