This week, plodding along on the “mini-mission”/new beginning of Lioness, I realized that it keeps getting longer and longer, and I’m still not ready to integrate it back into the main story. As it continues on, I’m not necessarily adding new material — there’s a lot of copying and pasting going on — but it is subsuming existing chapters and expanding them, like some sort of literary katamari.
At that point, I think, maaaaybe this is really a rewrite?
That thought was so depressing, though, that I’m not completely resigned to it. I’m going to try getting this back into Scrivener, and see where that leaves me. That said, at this point I’ve made so many changes to the beginning of the novel that I will need some serious time and effort to rethread those echoes throughout the entire work.
I just hope this is actually important work I’m doing, and not vamping. It’s easy to keep editing endlessly to avoid the fear of rejection. But it’s also easy to submit something too soon, something that’s not “ready.” I don’t know which this is.
Writing is hard. Let’s do math.
Let’s see, what else is new? I’ve been running a lot more this week, in preparation for the 5k I’m doing next week (eep!) I would like to beat last year’s time, but at my current pace that will be hard. To be fair, “my current pace” is measured using a lot of hills that I can’t just run up.
My audiobook of the moment is Holly Black’s The Cruel Prince, which I am really enjoying, both on an emotional and a craftsmanship level. (Executive summary: human child raised in Faerie has to learn to make alliances and navigate fey politics). It’s really interesting to see what she does with voice, with chapter breaks, with making the fey utterly and completely alien. At the same time, it’s often heart-wrenching — I don’t think I’ve ever had a book invoke a feeling of powerlessness quite so well.
Also I finally know how to pronounce “geas” (/É¡É›Êƒ/), so that’s neat. I guess that makes sense, given that its etymology is Irish; gotta love those lenited final consonants.
My dear author-larper-friend Melissa Caruso wrote Let’s Talk Agency about that bugaboo of, well, my entire writing life. It’s a hopeful post, though, because I learned that agency is often something she has to fix in subsequent drafts, not something that comes naturally. Here’s hoping third time is the charm for this MS of mine…
– Wrote 3253 words on new Lioness beginning or whatever it is
– Read The Farthest Shore, by Ursula K. Le Guin
– Did Zombies Run supply run (2.28mi in 36:57)
– Did ZR supply run (2.08mi in 33:35)
– Did ZR S2 E18 (3.03mi in 47:36)
– Did ZR S2 E19 (2.31mi in 35:53)
– Did ZR S2 E20 (2.01mi in 31:27)
– Had a doctor’s appointment
– Listened to Sword & Scale, episodes 1, 3, 4, 109-110
– Listened to Real Crime Profile, episode 81, 83-84
– Watched The Keepers docuseries
– Vacuumed upstairs
– Washed sheets
– Painted a test swatch of paint in the guest room